November 1, 2024 – February 9, 2025
Mönchsberg, level 1
Curators: Stefanie Grünangerl, Doris Leutgeb, Marijana Schneider, Jürgen Tabor
With works by Ernst Caramelle, VALIE EXPORT, Peter Friedl, Dan Graham, Hans Haacke, Angelika Loderer, Stephen Mathewson, David Moises, Wendelien van Oldenborgh, Şener Özmen, Andrew Phelps, Nicole Schatt, Chr
November 1, 2024 – February 9, 2025
Mönchsberg, level 1
Curators: Stefanie Grünangerl, Doris Leutgeb, Marijana Schneider, Jürgen Tabor
With works by Ernst Caramelle, VALIE EXPORT, Peter Friedl, Dan Graham, Hans Haacke, Angelika Loderer, Stephen Mathewson, David Moises, Wendelien van Oldenborgh, Şener Özmen, Andrew Phelps, Nicole Schatt, Christa Sommerer & Laurent Mignonneau
The exhibition Breaking Free picks up where Playing Rules!, the preceding presentation of art from the collections, left off to delve deeper into the theme of “play.” The free play of forces can help us overcome limitations, call the familiar and customary in question, and reduce the distance between work of art and beholder. At the same time, play is a special way of experiencing the world. It is a metaphor for community life and an engine driving cultural change. Relishing play, we discover our individual qualities and abilities, while playful cooperation and rivalry teach us how rules and systems work and what it means to break and subvert them.
https://www.museumdermoderne.at/en/exhibitions/detail/breaking-free-the-collections/
THE NEW YORK KURDISH FILM FESTIVAL, established in 2017, takes place every fall over several days. In recent years, the festival’s venue has been the landmark theater Village East by Angelika, located in Manhattan’s East Village. The festival’s program typically features a mix of short and feature-length films, dramas, documentaries, an
THE NEW YORK KURDISH FILM FESTIVAL, established in 2017, takes place every fall over several days. In recent years, the festival’s venue has been the landmark theater Village East by Angelika, located in Manhattan’s East Village. The festival’s program typically features a mix of short and feature-length films, dramas, documentaries, and animations, from diverse regions of Kurdistan. The films’ directors may be either Kurdish or non-Kurdish. Many of the films have their American premieres here.
Curated by Selen Ansen, the exhibition Suppose You Are Not probes the ways in which the domestic context of a private collection can be transferred into a museum context. In so doing, it explores the possibilities of restaging and articulating the affinities created between distinct objects by means of a collector's desires and endeavours
Curated by Selen Ansen, the exhibition Suppose You Are Not probes the ways in which the domestic context of a private collection can be transferred into a museum context. In so doing, it explores the possibilities of restaging and articulating the affinities created between distinct objects by means of a collector's desires and endeavours. The exhibition, which spans the 4th and 3rd-floor galleries of Arter, brings together works by almost 400 artists, anonymous artefacts and mass-produced items, as well as multifarious objects. Initially formed for an individual purpose within the boundaries of a private space, now made public through a curatorial approach in an art institution, this body of works presents a world at the junction of times and forms that defy habitual classifications. This world, which brings to existence the collector as an abstract subject interacting with the artefacts in their possession, allows a form of experience that connects reality and fiction, as objects leaving the private sphere reformulate their unique character in a new context. Approaching the collection as a multifaceted and living organism, Suppose You Are Not proposes to reflect upon the kinship between the ordinary and the extraordinary, the practice of collecting and the objects that populate our daily lives.
https://www.arter.org.tr/EN/exhibitions/suppose-you-are-not/3323
EXILE is pleased to participate in this year’s curated by gallery festival with a group exhibition entitled Unfair Game curated by Pınar Öğrenci at the gallery’s Vienna location.
Participating artists: Sena Başöz, Burak Delier, Fatoş İrwen, Pınar Öğrenci, Şener Özmen, Nazım Ünal Yılmaz, and Nalan Yırtmaç.
More information coming soon.
Extern
EXILE is pleased to participate in this year’s curated by gallery festival with a group exhibition entitled Unfair Game curated by Pınar Öğrenci at the gallery’s Vienna location.
Participating artists: Sena Başöz, Burak Delier, Fatoş İrwen, Pınar Öğrenci, Şener Özmen, Nazım Ünal Yılmaz, and Nalan Yırtmaç.
More information coming soon.
External Event
Saturday, Sept 8, 6:30-9pm: Film screening at Blickle cinema at Belvedere 21. More information soon.
2023 “Floating Islands,” Istanbul Modern’s 9th collection exhibition, brings together more than 280 works by 110 artists and 2 artist duos. Besides the permanent and temporary exhibition galleries, the exhibition encompasses other spaces throughout the building.
The permanent exhibition gallery presents a chronological selection from the m
2023 “Floating Islands,” Istanbul Modern’s 9th collection exhibition, brings together more than 280 works by 110 artists and 2 artist duos. Besides the permanent and temporary exhibition galleries, the exhibition encompasses other spaces throughout the building.
The permanent exhibition gallery presents a chronological selection from the museum collection that traces the development and transformation of art scene in Türkiye after 1945. Touching on different subjects and approaches, from figurative paintings to installations and videos, the selection reveals interactions between artists. While shedding light on the popular tendencies of the time, each work also informs viewers about the specific style of the artist.
https://www.istanbulmodern.org/en/exhibitions/current-exhibitions/floating-islands_3251.html
2023 Hafıza Merkezi olarak 2022 yılında başlattığımız Geçmişi Konuşmak, Barışa Alan Açmak başlıklı çevrimiçi panel serisine bu yıl da devam ediyoruz. Yeni seride dünyada ve Türkiye’de hakikat ve adalet arayışı, hafıza sahaları, hafızalaştırma, onarıcı adalet ve toplumsal barışa dair farklı deneyim ile yaklaşımları ve bunların etkilerini k
2023 Hafıza Merkezi olarak 2022 yılında başlattığımız Geçmişi Konuşmak, Barışa Alan Açmak başlıklı çevrimiçi panel serisine bu yıl da devam ediyoruz. Yeni seride dünyada ve Türkiye’de hakikat ve adalet arayışı, hafıza sahaları, hafızalaştırma, onarıcı adalet ve toplumsal barışa dair farklı deneyim ile yaklaşımları ve bunların etkilerini konuşacağız. Dört panelden oluşacak serinin ilk oturumu 8 Mayıs Pazartesi günü saat 17.00’de Adalet Arayışında Hafızanın Temsili başlığıyla çevrimiçi olarak düzenlenecek.
https://hakikatadalethafiza.org/panel-adalet-arayisinda-hafizanin-temsili/
2023 Organized by Words Without Borders, this virtual benefit event features readings by Orhan Pamuk, Maureen Freely, Elif Shafak, and others
2022 Lenin was a Mushroom – Moving Images in the 1990s, Exhibition curated by Nav Haq, M HKA, Museum of Contemporary Art Antwerp, Belgium
https://www.muhka.be/programme/detail/1517-lenin-was-a-mushroom-moving-images-in-the-1990s
https://www.e-flux.com/announcements/455784/lenin-was-a-mushroom/
2021 Don’t Look Back Deep is Past, OMM (Odunpazari Modern Museum), Eskisehir, TR
https://omm.art/en/exhibition/dont-look-back-deep-is-the-past
2021 10 July - 24 October
Pilevneli Kaplankaya
https://www.pilevneli.com/tr/exhibitions/43-pilevneli-x-konig-pilevneli-kaplankaya/works/
2021 The group show "bê welat – the unexpected storytellers" looks at a wide range of artistic approaches used to make sense of Kurdish realities – largely shaped by communal depression, acts of resistance, trauma, and various conditions of war, colonialism, language prohibitions and states of exile.
https://archiv.ngbk.de/en/projekte/be-welat-unexpected-storytellers/
2020-2021 In collaboration with all the participating artists, Crystal Clear devised methods and tools for sustainable curating, going beyond just thinking about ecology or sustainability, but rather inventing and enacting principles allowing the reduction of the carbon footprint of exhibition making: radical limits on the shipping of ob
2020-2021 In collaboration with all the participating artists, Crystal Clear devised methods and tools for sustainable curating, going beyond just thinking about ecology or sustainability, but rather inventing and enacting principles allowing the reduction of the carbon footprint of exhibition making: radical limits on the shipping of objects, local collaborative production of exhibited work, creative recycling strategies, and extremely reduced travel for all the participants.
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